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LaRose: A Novel, by Louise Erdrich
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In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning�The Round House�and the Pulitzer Prize�nominee�The Plague of Doves�wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.
North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.
The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.
LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.
But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.
Inspiring and affecting,�LaRose�is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.
- Sales Rank: #3804 in Books
- Published on: 2016-05-10
- Released on: 2016-05-10
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.21" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 384 pages
Amazon.com Review
An Amazon Best Book of May 2016: The premise of Louise Erdrich’s stunning La Rose is provocative. A man goes deer hunting and accidentally shoots and kills his neighbor’s son; so consumed by guilt and sorrow, the man and his wife agree to give their son LaRose to the distraught neighbor to raise. It was their penance, as both Catholics and Ojibwe. From this shocking and painful beginning, Louise Erdrich spins an amazing, complex tale of love, family, obligation; the book moves among generations and eras (La Rose is a family name that has been used by both males and females), arriving at a present day conclusion that is both thoroughly modern and rooted in indigenous culture. This is Erdrich at her best, weaving together Native American and white culture, the strands of America. But what makes this book particularly strong – and what even those of us who love Erdrich’s books can sometimes forget – is what a beautiful writer she is. One character is “a branchy woman, lovely in her angularity.” She also can be wryly observant – “suddenly it seemed everyone was saying it is what it is…as though this was a wise saying.” And her depiction of a kind of practical joke two kids play with a school bus is equal parts joyful and terrifying. If you haven’t read Erdrich before, LaRose is a good a place to start; if you have, you won’t want to skip this lovely, smart addition to the canon. --Sara Nelson
From Publishers Weekly
Erdrich spins a powerful, resonant story with masterly finesse. As in The Round House, she explores the quest for justice and the thirst for retribution. Again, the setting�€”a North Dakota Ojibwe reservation and a nearby town�€”adds complexity to the plot. Landreaux Iron, an Ojibwe man, accidentally shoots and kills the five-year-old son of his best friend, farmer Peter Ravich, who is not a member of the tribe. After a wrenching session with his Catholic priest, Father Travis, and a soul-searching prayer in a sweat lodge, Landreaux gives his own five-year-old son, LaRose, to grieving Peter and his wife, Nola, who is half-sister to Landreaux's own wife, Emmaline. In the years that follow, LaRose becomes a bridge between his two families. He also accesses powers that have distinguished his namesakes in previous generations, when LaRose was "a name both innocent and powerful, and had belonged to the family's healers." Erdrich introduces this mystical element seamlessly, in the same way that LaRose and other Ojibwes recognize and communicate with "the active presence of the spirit world." The magical aspects are lightened by scenes of everyday life: old ladies in an assisted-living home squabble about sex; teenage girls create their own homemade beauty spa. Erdrich raises suspense by introducing another, related act of retribution, culminating in a memorable and satisfying ending. (May)\n
Review
“A masterly tale of grief and love…Erdrich never missteps…The recurring miracle of Erdrich’s fiction is that nothing feels miraculous in her novels. She gently insists that there are abiding spirits in this land and alternative ways of living and forgiving that have somehow survived the West’s best efforts to snuff them out.” (Washington Post)
“The rewards of LAROSE lie in the quick unraveling and the slow reconstruction of these lives to a moment when animosities resolve, like shards of glass in a kaleidoscope, into clarity and understanding...Told with constraint and conviction...” (Los Angeles Times)
“You’re going to want to take your time with this book, so lavish in its generational scope, its fierce torrent of wrongs and its luxurious heart. Anyway, you may have no choice, as you fall under the spell of a master… Like Toni Morrison, like Tolstoy, like Steinbeck, Erdrich writes her characters with a helpless love and witnesses them with a supreme absence of judgment…[a] beautiful novel.” (San Francisco Chronicle)
“Remarkable…As the novel draws to a conclusion, the suspense is ratcheted up, but never at the expense of Erdrich’s reflective power or meditative lyricism…One of Erdrich’s finest achievements.” (Boston Globe)
“Incandescent…Erdrich has always been fascinated by the relationship between revenge and justice, but…LaRose comes down firmly on the side of forgiveness. Can a person do the worst possible thing and still be loved? Erdrich’s answer is a resounding yes.” (New York Times Book Review, front page review)
“...a magnificent, sorrowful tale of justice, retribution, and love.” (Vanity Fair)
“[Erdrich] has laid out one of the most arresting visions of America in one of its most neglected corners, a tableaux on par with Faulkner, a place both perilous and haunted, cursed and blessed.” (Chicago Tribune)
“[Erdrich] is, like Faulkner, one of the great American regionalists, bearing the dark knowledge of her place, as he did his. She is by now among the very best of American writers.” (Philip Roth, New York Times)
“…[a] sad, wise, funny novel, in which [Erdrich] takes the native storytelling tradition that informs her work and remakes it for the modern world, stitching its tattered remnants into a vibrant living fabric.” (Minneapolis Star Tribune)
“…[a] superb new novel…[Erdrich immerses] us in this remarkable world so thoroughly, so satisfyingly…” (Miami Herald)
“Erdrich’s richly layered tale brings a host of fascinating characters to life as it builds to its haunting resolution.” (People)
“Breathtaking…[LaRose] may be her most graceful creation…The recurring miracle of Erdrich’s fiction is that nothing feels miraculous in her novels. She gently insists there are abiding spirits in this land and alternative ways of living and forgiving that have somehow survived the West’s best efforts to snuff them out.” (Denver Post)
“Told with aching understanding…This timeless 15th novel stands as one of Erdrich’s best: comprehending and comprehensive, full of cascading, resonant details punctuated with spiky humor.” (Kansas City Star)
“Erdrich’s created an entire world, a realm bristling with a sense of place, where plots unwind and surprise, the spirit world suffuses everyday existence, and the past is as much a part of the present as breathing…magnificent…It is Erdrich at the top of her form.” (Providence Journal)
“A powerful evocation of two families’ struggle to overcome misfortune..” (Houston Chronicle)
“…a brutal, ultimately buoyant dramatization of the way unexpected kinships heal us.” (O, the Oprah Magazine)
“Mesmerizing… Throughout her body of work, Erdrich has woven complex narratives with rich character detail and the cultural traditions of her Native American background. In LaRose, her greatest strengths are on display as all these strands come together under her masterful control.” (Chapter 16)
“Erdrich suffuses the book with her particular sort of magic-an ability to treat each character with singular care, weaving their separate journeys flawlessly throughout the larger narrative, and making each person’s pain feel achingly real. All the while, she adds new depth to timeless concepts of revenge, culture, and family.” (Entertainment Weekly)
“A complex tapestry of retribution and acceptance…Ever the master of emotions, Erdrich…incorporates elements of guilt, justice and atonement.” (Bookreporter.com)
“In someone else’s hands, this might turn out to be a stark morality tale or a pure tearjerker. In Louise Erdrich’s, it’s something else altogether… a novel more generous and less predictable than might be expected, where revenge and human planning in general take second place to life working itself out in ways that no one human can predict or control.” (The Columbus Dispatch)
“Louise Erdrich’s latest novel LAROSE is, as usual, a gift to treasure… Erdrich writes about reconnection and reconciliation with such purity and precision, she’ll crack your heart right open, then mend it with care and leave your whole soul singing with joy.” (Buzzfeed)
“A fiercely resonant exploration of love, loss, and the tangled ties that bind.” (Entertainment Weekly, "Best Books of 2016 so far...")
“Electrifying...Louise Erdrich’s...most brilliant novel. (The Twin Cities Pioneer Press)
“A stunning novel…A heartbreaking tale of love, family, and obligation that spans generations.” (Real Simple)
“…[a] meditative, profoundly humane story…Electric, nimble, and perceptive, this novel is about ‘the phosphorous of grief’ but also, more essentially, about the emotions men need, but rarely get, from one another.” (Kirkus Reviews (starred review))
“The radiance of this many-faceted novel is generated by Erdrich’s tenderness for her characters…magnificent…a brilliantly imagined and constructed saga of empathy, elegy, spirituality, resilience, wit, wonder, and hope that will stand as a defining master work of American literature for generations to come.” (Booklist (starred review))
“Erdrich spins a powerful, resonant story with masterly finesse…memorable and satisfying.” (Publishers Weekly Starred Pick of the Week)
Most helpful customer reviews
3 of 3 people found the following review helpful.
LaRose by Louise Erdrich: A review
By PlantBirdWoman
Louise Erdrich is a national treasure. That's my considered opinion. Every book of hers that I've read has shone with the light of a transparent power, a use of language that is deceptively plain but rich and transformative. Like her Native American ancestors, it seems that she has taken from the anglo culture and language that which she can use, but she has retained the best parts of her heritage that help her to make sense of those things and to keep them from overpowering the sensibilities of the unique society from which she came. She does it all again in LaRose, her latest novel.
LaRose is the third book in a sort of loose trilogy that started with The Plague of Doves, continued with The Round House and now reaches (perhaps) a conclusion with this book. Or perhaps there will be more books set in this community of the Indian reservation, a place where different characters and their ancestors recur and where the past seems a part of the present. As Faulkner said, "The past is never dead. It is not even past." It was true in Faulkner's books and it is true in Erdrich's books, as well.
The title character of this current book is a young boy, five years old when we meet him, who is descended from generations of female LaRoses. He is the fifth in a line of LaRoses in his family and, in time, we meet them all. Soon after the beginning of the story, we go back to 1839 and the first LaRose, who was sold to a white man who raped her. Ultimately, she played a part in his murder, and she achieved a happier future, finding love, romance, marriage, and family. But she also suffered for many years with tuberculosis and when she died in the care of white scientists, those scientists stole her bones and put them on display. Generations of her family fought to have those bones returned to her community.
But back to the fifth LaRose, who is five years old in 1999 when fears of Y2K - remember that? - were abroad in the land.
LaRose's father goes hunting one day and finds the buck that he wishes to kill to feed his family. He sights the animal with his rifle, but as he pulls the trigger, there is a blur between him and the deer and the deer runs away. He has hit something but it wasn't the buck. To his horror, he finds that he has shot a child. It is Dusty, the five-year-old son of his best friend and neighbor and the playmate of his son, LaRose.
LaRose's father is a home health aide, a beloved and respected member of his community, but the question which the book asks is, can a person do the worst thing possible and still be loved? This man has done the worst thing possible in killing an innocent child. Can his community forgive him or will he be ostracized?
He searches for a way to make atonement and finds a possible answer in the traditions of his people. He convinces his wife that they must give their own son to the parents of the dead child as a replacement for that child. (Erdrich notes in her postscript that such transfers did occasionally happen.)
The transfer is made and LaRose becomes a kind of ambassador between the two families, working to alleviate the suffering of both. He has the gift of healing and of seeing into the world where the spirits of the dead dwell, and the act of sharing this special child sets in motion a chain of events that will, in the end, transform the lives of all it touches.
In her last book, The Round House, we saw the workings of revenge/justice. In LaRose, Erdrich explores the other side of that coin - forgiveness. She answers the question of whether a person can still be loved after doing the worst thing possible with a resounding "Yes!"
There are so many rich and wonderful characters in this book. I cannot even attempt to mention them all here, but Erdrich's writing makes splendid use of all those multiple voices in telling this story. We get to know each of them and to respect them as individuals and as part of a larger community that values and cares for them, even the ones with messed up lives, usually ruined by drugs and/or alcohol.
Erdrich brings us her unique perspective of a culture which the larger American society has sought in its worst moments to annihilate. She shows us that that culture is still standing, still nurturing its people, and that we are all richer for it.
2 of 2 people found the following review helpful.
Dark and Depressing
By Edward Hetzler
This is a dark depressing story with unpleasant characters and no discernible point. I find that to really get into a story I have to be able to identify with the characters to some extent. I was never able to do that with this book. The main characters are all self absorbed and cause their own problems. I kept hoping some of the conflicts and questions raised by the story would be resolved. They never were in any kind of satisfactory wasy.
There is a secondary story intertwined with the main tale about an ancestor named LaRose who endured a horrible life. This might actually have been a better story, but it is not fleshed out enough in this book to be coherent.
Overall I thought the book had an unfinished feel to it.
41 of 44 people found the following review helpful.
Tragic, beautiful, full, spacious, gracious.....don't miss it
By Susan Byers
I heard Louise Erdrich read the stunning -- like an unexpected gunshot -- opening two paragraphs of her new novel, LaRose, on NPR's All Things Considered (May 11, 2016). It was riveting to hear the calmly matter-of-fact delivery, nuance and pacing in her voice, which set the tone for reading the rest of her complex, tragic and ultimately redemptive new novel. Even if you are not familiar with Erdrich's previous books (many of her characters are introduced in earlier works), this stands alone. Erdrich is justifiably revered for her ability to create a three-dimensional portrait of Native American culture as it exists within the confines of the dominant US culture without losing its essential essence, rooted as it in something older and deeper. This novel is full to the brim with carefully drawn characters, backstory, history and myth. If I have one criticism it is that some of these complicated threads are not developed enough; I wish the story had been larger to incorporate them more fully, in the way she does so well. You cannot help but be drawn into these lives and, in fact, you may forget your own for the duration of the novel; its presence hits full force from the first pages. Those of us from non-Native cultures may need to suspend our judgment about the manner in which tragedy is addressed; it's a timely reminder that each culture and people (and each religion) seek and find the answers to living in unique ways and the only solution to living together is tolerance for differences that do no harm. Despite the almost crushingly tragic subject matter, the characters struggle on with their burdens with almost lyrically resignation: dawn arrives "sad, calm, and brimming with debt." There is a thread of wry humor that lightens the tone, like a bit of bird song, here and there: "When he stepped into the house he smelled fried rabbit with onions and bacon. He smelled burning sage and saw that Snow and Josette were smudging themselves, for some special mysterious reason. Emmaline put her thin arms abound him. Coochy punched him, punched him harder when he didn't respond. Hollis felt his heart swelling with love, so he put a fake choke hold on Coochy. La Rose yelled. Take it outside! I'm making a pueblo. He was gluing pieces of construction paper into a frame shoe box. He was making a diorama of Native American dwellings. Josette quit fanning smoke on herself, looked over his shoulder, tipped her head back and forth. Make sure you put a cactus in there. And a FEMA trailer." LaRose himself is a character that you won't ever forget, and you don't want to; in fact all the characters are full-bodied and treated with an unstinting honesty, generosity and respect that doesn't deny their flaws and failures but embraces them nonetheless. It's a way of looking at others, and life, that we all would do well to emulate, if not their choices. This is a book that I would rate 4-1/2 stars if I could, but since I can't -- I'm upping it to 5.
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